Introducing the Tantalus Collection

Introducing the Tantalus Collection

November 13, 2024

The Tantalus Collection: A Winter Return to the Coast Mountains

If you have ever driven the Sea-to-Sky Highway between Vancouver and Whistler, you know the magnetic pull of the Tantalus Range. Rising dramatically across the valley, its jagged glaciated peaks and sheer granite walls have a way of stopping you in your tracks. Ever since arriving in British Columbia in 2000, long before I ever embarked on these large-scale alpine adventures, I looked up at those mountains and knew I had to find a way inside them.

It took 19 years of building experience before that ambition finally materialized. In 2019, I planned and executed a gruelling human-powered journey—canoeing across and hiking up on foot all the way to the Jim Habrey Hut high in the Tantalus Range, carrying everything required to spend three days deep within the range. That initial expedition rewrote my relationship with the landscape, making every metre of elevation and every change in weather something you felt physically under your own power.

That summer seed planted the need for a winter return. I wanted to see those massive granite walls and sweeping ridgelines buried in snow. It took years for the alignment to happen, culminating in a remote, three-day ski touring mission with a veteran guide and a team of athletes, basing ourselves out of a backcountry cabin to capture the range in full winter severity.

That experience became The Tantalus Collection: a bold, limited-edition series of 12 fine art photographs, strictly capped at 25 total prints per image worldwide.

Photographing a Place, Not Just a Mountain

There is no shortage of pretty mountain photographs in the world. What pulls me behind the lens is the feeling of being embedded in a landscape—the visceral scale, the biting cold, and the profound quiet between storms.

To communicate the true scale of the Coast Mountains honestly, several works in this collection include skiers (Ascending in the mountain, big mountain skiing). The figures aren't there to dominate the frame; they are human anchors. A lone skier carving down an immaculate snowfield or boot-packing beneath an amphitheater of ice gives the viewer an immediate, visceral sense of just how vast and unforgiving the terrain truly is.

Conversely, other pieces in the collection feature no people at all.

I wanted these frame-dominant landscapes to slow the viewer down. Without a human figure or an action narrative, you are left entirely with the raw geometry of the peaks, shifting atmospheric weather, and an overwhelming sense of place. It mirrors how I experience the mountains myself: moments of intense physical effort and movement balanced by moments of absolute stillness where you simply stop, breathe, and look.

The Palette: Luxurious Black and White vs. Atmospheric Colour

The Tantalus didn’t present itself in just one mood, so I didn't force the collection into a single visual treatment. The 12 images split purposefully between two distinct aesthetic poles:

  • The Black and White Works (Tantalus 2, 3, 4, 5, 6, 7): Stripping away colour lets the structural architecture of the mountains take center stage. Snow, shadow, granite, and stark light become the primary vocabulary. These pieces offer a timeless, restrained elegance. In contemporary spaces featuring natural materials like stone, concrete, glass, and warm wood, these large-scale black-and-white prints act as quiet, grounding anchors that never fight with your interior design.Original mountain art from Whistler, BC, Canada.

  • The Colour Works (Tantalus 1, 8, 10, 11, 12): Where colour is essential to the story—subtle alpenglow warming up winter powder, deep cobalt shadows in couloirs, and rich atmospheric haze—it is preserved with absolute fidelity. These pieces introduce warmth, depth, and an immersive sense of place into great rooms, living spaces, and executive offices.

Iconic mountain photography from the Tantalus Range in Squamish, BC, Canada. Large format mountain wall art.

Fine Art Specifications & Collector Details

Great mountains demand a physical presence that a standard screen or small frame simply cannot deliver.

  • Large-Format Scale: Available in statement sizes up to 48" x 72", allowing subtle details—a distant ridgeline, a tiny hidden skier, the wind-sculpted texture of an ice ridge—to reveal themselves fully.

  • Exclusivity: Limited strictly to 25 prints total per image. Once an edition sells out, it is permanently closed. Every print is hand-signed on the back by me and accompanied by a certificate of authenticity.

  • Modern Luxury Finishes: Available as museum-grade ChromaLuxe aluminum fine art prints, or through unique, premium mounted and framed presentations featuring a UV-coated naked print with no glass—ensuring the artwork is never compromised by distracting reflections. Handcrafted by the finest press printer in British Columbia.

  • Global Logistics & Shipping: Free Canadian shipping is included on all fine art orders, complemented by transparent, flat-rate shipping for USA and international destinations based on order price.

Art Selection: Choosing the Right Piece for Your Space

Selecting fine art for a home, chalet, or executive office isn't about matching throw pillows; it's about curating the emotional frequency of the room:

  • For Bedrooms, Studies, or Quiet Corners: The serene, people-free black-and-white pieces bring a deep sense of calm, architectural structure, and meditative breathing room to private spaces.

  • For Great Rooms, Boardrooms, or Open Living Spaces: The large-format, high-impact colour pieces or dramatic big-mountain skiing frames command the room, anchoring expansive walls with real-world energy and raw Coast Mountain scale.

If you are trying to decide which print, size, or medium fits your space, I am always personally available to help you walk through the options.

Frequently Asked Questions

1. How do I choose the right print size for my wall or space?

Selecting the right scale depends on the room's architecture. Large-format pieces (up to 48" x 72") act as powerful visual anchors for great rooms, boardrooms, and open living spaces, allowing fine details like ridge textures and hidden skiers to command the room. For bedrooms or studies, smaller or medium formats offer a more intimate presence. If you are unsure, you can use our interactive art placer/room mock-up tool on the site, or simply send me a photo of your space and I will personally help you mock up and select the ideal size.

2. How can I find unique mountain art that isn't generic or mass-produced?

Most online mountain decor consists of mass-produced stock photography or digital AI art. True fine art requires actual lived experience in the landscape. The Tantalus Collection is built on a 19-year relationship with the Coast Mountains, featuring expeditions starting from valley-bottom approaches to multi-day winter ski traverses. When you invest in a piece, you are acquiring one of only 25 physical prints worldwide that capture a real, uncompromised moment in the wild.

3. What is a UV-coated naked print and why is there no glass?

Our premium framed presentations feature a modern luxury finish where the print is treated with a specialized UV protective coating and mounted without glass. This eliminates distracting glare and reflections from windows or interior lighting, giving the artwork an incredible sense of depth and making it feel like an open window into the mountains rather than a framed picture behind glass. Handcrafted by the finest press printer in British Columbia.

4. How do I match black-and-white versus colour mountain photography to my interior?

It comes down to the emotional frequency you want the room to hold. The black-and-white works (Tantalus 2–7) strip away distraction to highlight raw architectural lines, making them exceptional grounding anchors for contemporary interiors featuring natural wood, stone, concrete, and minimalist lines. The colour works (Tantalus 1, 8, 10, 11, 12) introduce warm alpenglow, atmospheric depth, and vibrant energy into living spaces and executive offices.

5. What went into capturing the Tantalus Range compared to standard landscape photography?

Many landscape photographs are captured quickly from roadside viewpoints or helicopter fly-bys. The Tantalus Collection required deep physical commitment: an initial summer expedition in 2019 canoeing across and hiking on foot all the way to the Jim Habrel Hut, followed years later by a remote, multi-day winter ski-touring basecamp mission. The resulting photographs capture not just the physical peaks, but the true atmosphere, weather shifts, and profound silence of deep backcountry terrain.

Explore the complete portfolio and secure your piece of the Coast Mountains in The Tantalus Collection.